Since this blog mainly concentrates on band and label posts, I found it hard to include various artists compilations. Here is where they will be posted. These will be compilations released by Canadian record labels or compilations that feature principally Canadian bands on them. Generally speaking, compilations here will be considered “a compilation representing something of Canada”.
This list is ever growing, so check back monthly! And if you have requests, please post them in the “reply” box below!
- 51-4-50: Montreal Hardcore Compilation (Die Hard Records, 2002)
- Alberta Hardcore Compilation (2010)
- Canuck as Fuck: Today North America, Tomorrow the World (2007)
- Dead on the Road… Songs Without Keyboards (Raw Energy Records, 1993)
- For You (United Edge Records, 2004)
- Fuck the Commonwealth CD (Fans of Bad Productions Records, 1994)
- GO! LP (Fans of Bad Productions Records, 1997)
- Group Therapy Explosion (Slow to Burn Records, 1996)
- It Came From The Pit (Psyche Industry Records, 1985)
- It’s All About the Money (Redstar Records/Goodfellow Records/Surprise Attack Records, 2001)
- Joy Boy Mix (2010)
- Joy Boy Mix – Part Two (2011)
- Joy Boy Mix – Part Three (2012)
- Killed by Canada (Fans of Bad Productions Records, 2006)
- Let’s Hope These Are Radio Friendly Too (Spawner Records, 2002)
- Montreal New York Connection 85 Live (Big City Records, 1985)
- (Coles) Notes From Underground (Underground Operations, 2002)
- On the Road in New York City (Raw Energy Records, 1994)
- On the Road …With a Snowboard (Raw Energy Records, 1999)
- Panic Panic (Psyche Industry Records, 1985)
- Primitive Air-Raid (Psyche Industry Records, 1984)
- Quebec Crusade for Auditive Savagery Proliferation (Doomsday Machine Records, 1994)
- Regional Ornament (1996)
- Ring’N’Ears WrestleMusicFest – The Compilation (Ring’N’Ears Records, 1999)
- Songs To Make Engines Fail (Black Box Recordings, 2006)
- Structure Records Hardcore Compilation (Structure Records, 1992) courtesy Bill Wickam
- Today Burlington, Tomorrow the World! (Checkered Past Productions, 2000)
- The 49th Parallel (Disillusion Records, 1997)
- The Difference Between Us (Goodfellow Records, 1997)
- The Sound and the Fury (Redstar Records, 1999)
- The Street Enters the House (Fans of Bad Productions Records, 2001)
- True Until Death 2 (United Edge Records, 2001)
- We Fought the Radio: Music From the Regina Underground (2007)
you should post the This Ain’t the Hot Fudge Show comp 7″. In fact you should post all of the Fans of Bad Productions comps
Please post the Summer Squash 1990 comp tape if you can, Thanks in advance
You should add or get the Kid Gorgeous/Dead To The World split, I want it so bad!
[…] Structure Records Hardcore Compilation […]
[…] continued to play shows with this stable line-up. They then appeared on their first compilation, Structure Records Hardcore Compilation, compiled by Sandy Robertson, which used the song “Those Days” from the […]
[…] V/A True Until Death […]
[…] Clarke (famous for playing in Blake), who was putting together a compilation titled “Regional Ornament” in 1995. Mike had an 8-track recorder in his basement and so Bree recorded their first two […]
[…] song “Count Me In” (this song was also used on the Redstar Records compilation “The Sound and the Fury“), while Sean McNab (then in Jersey) provided backup vocals on the other […]
[…] & Beyond” would appear on Fans of Bad Productions Records’ compilation “Fuck the Commonwealth“. The vinyl and tape versions were released in 1994 followed by the CD edition in 1995. Their […]
[…] only song to surface was “Shadows”, from the demo, which was included on “The Sound and the Fury” compilation by Redstar Records. Paul and Brendan got the song while Sinsick was still […]
[…] had a song on there), while “55 Seconds” was sent to Disillusion Records for “The 49th Parallel“, a compilation featuring bands on each side of the US/Canada border. Finally, Dave […]
[…] a few more shows, Evan Clarke (also from Blake) was putting together the compilation “Regional Ornament” and asked them to record a few songs. In the fall of 1995, they went to Rumenal Studios and […]
[…] were on Slow to Burn Records. Their 7″ “Pud” in 1994 and a song on the “Group Therapy Explosion” in 1996, both on Slow to Burn. They also had a track on the compilation “Fuck the […]
[…] Valentine” was actually released on the Slow to Burn’s compilation “Group Therapy Explosion“, and Fans of Bad Productions used a song, “Give Fascism a Chance” on “Fuck […]
[…] CD (1995) RSR002 Avarice – Demo tape (1997) RSR003 Avarice/Confine – split CD (1998) RSR004 The Sound and the Fury comp CD (1999) RSR005 Dead to the World/Kid Gorgeous – split CD (2000) RSR006 Darker Day Tomorrow […]
[…] Trustkill Records owner Josh Grabelle had been wanting to work with Chokehold for some time and really liked the new band. He signed the band for a three record release contract in late 1997. The band would record their second ep “Revolution Through Anonymity” at Audio Magic Studios in November of that year, and got Matt Jones to do the artwork. The album was released on CD and 7″, and a load of merch (hoodies, shirts, long sleeves, posters) and get ready to embark on a tour with Boysetsfire and Brother’s Keeper. Matt Jones (who also had the touring van) quit the band right before leaving, and various bassists would fill in for the tour. Starting with Christian McMaster, then Matt’s cousin, Jamie Beckman, and finally Gordie Ball. Renting vans along the way, the tour took them from Buffalo to Syracuse, NY for Hellfest 1998, through Erie, PA, then North and South Carolina, Philadelphia, down to Washington DC, Virginia, Maryland, Massachusetts and New York City. During this time, Redstar Records also used one of their song on the compilation “The Sound and the Fury“. […]
[…] Tale” from this recording session was used on the Goodfellow Records compilation “The Difference Between Us” and remains the only officially released song by the band. Apparently the second demo was […]
[…] out of the Gates of Dawn release as well. But one of the songs recorded would be used for “The 49th Parallel” compilation by Old Glory Records/Disillusion Records. Another of these songs was scheduled […]
[…] happened. The fourth and fifth songs would be used on the Goodfellow Records compilation “The Difference Between Us“, and on the split with Morning Again on Moo Cow Records, both in 1997. At this time the band […]
[…] their first compilation appearance on “Regional Ornament” representing bands from Southern Ontario, they recorded their songs with two mics and a four […]
[…] on tape, 1992 FOBP7 “Chicken Milk – Chicken Milk” on 7″, 1993 FOBP8 “Fuck the Commonwealth” compilation on 12″, 1994, on CD and tape, 1995 FOBP9 “Go!” compilation on […]